Northeast Regional Tour of Shakespeare

Program Dates

January 3 to 29, 2023

Arrival: Monday, January 2 Departure: Monday, January 30

Tuition Fees

$4,875 USD

Early payment discount: Pay the full tuition by October 15 and save $600.

Since 1982, Shakespeare & Company has sent touring productions of Shakespeare’s plays, along with a variety of related workshops, into middle and high schools, colleges, large-scale performance venues, and community centers all over the Northeast and beyond. These performances reach more than 20,000 students, teachers, and audience members each year.

Tour Auditions

Audition dates for the 2023 Tour will be announced this summer.

About the Tour

2023 Tour Announcement
A one-day package at your school, university, or venue includes:
  • A 90-minute performance
  • A 15-minute interactive Post-show Forum immediately following the performance that engages the audience’s own insights and observations.
  • The choice of one 45-minute workshop with students:
    • The Workshop in Performance (12 – 50 students)
    • Exploring the Actor-Audience Relationship (unlimited size)
The Company also offers custom packages that include access to virtual programming, multi-day residencies with additional workshops, and more.
Contact for more information about how to customize visits to a school’s needs.

Example Schedule - One Shakespeare performance, Post-show Forum, and Actor-Audience Workshop

9:00am – Actors Arrive
9:00am –12:00pm Load in / Warmup / Lunch / Fight call / Half hour
12:00pm – 1:30pm performance
1:30pm – 1:45pm Post-Show Forum
1:45pm – 2:00pm Short break for Actors
2:00pm – 2:45pm Actor-Audience Workshop
2:45pm – 3:15pm Load out
This schedule may be customized to accommodate school and classroom schedules, as every school has different scheduling challenges. The only hard-and-fast rule is that the Education Artists need at least 2.5 hours in the space ahead of a performance.

Workshops & Teaching Materials

As a part of the day, Education Artists will lead students through one or more 45-minute workshops. If you have any questions about these workshops or are interested in customizing the work, contact

Workshop in Performance

In this workshop, each student can succeed and discover that Shakespeare is comprehensible, immediately engaging, and can be outrageously fun. The first exercises are with the whole group, but for most of the workshop, students are divided into smaller groups to work on a piece of text from a Shakespeare play which is then performed for classmates. Education Artists work closely with students to unleash an exciting, immediate, and personal experience of Shakespeare’s language. This workshop works best with 30 to 40 students and teachers, but can work with as few as 12 participants with an absolute maximum of 50 participants.

The Workshop Space

For this workshop, a space large enough for the whole group to form a large circle as well as accommodate smaller groups in necessary – students are divided into groups for much of the workshop. Normally, the school auditorium is fine, but sometimes the gymnasium or another alternative space is used.

Exploring the Actor / Audience Relationship

This is an entirely interactive workshop in which students can share their observations, reactions, questions, and dialogue with Education Artists. Driven by the students’ curiosity about the show and with a high level of student participation, students volunteer to work on text on stage, try a fight move, or learn an adapted Court Dance.
This workshop is designed to help students engage with the text in new ways. The activity often includes the actors reperforming brief scenes from the play that the students request, and students are invited to make suggestions for the Education Artists to play out as a way to reinterpret or redirect the scene. The workshop demonstrates the plasticity of theater and the imaginative collaboration among directors, actors, and audiences that is essential to the art form. This workshop can accommodate as many students needed, and Education Artists regularly work with the entire audience following the performance.

The Workshop Space:

This workshop is most successful in the performance space following the show, as it allows the actors to utilize the scenic elements in their work with the students.

Teaching Materials

As a part of the tour booking, schools and educators may request digital copies of the Shakespeare & Company Study Guide, prepared by the Education Department and tailored specifically to each production. The Study Guide is designed as a supplemental resource for teachers and students, to be used in conjunction with live performance, in order to help better understand the play and form points of connection between the experiences of modern-day students and the story of the play.
The Study Guide contains a brief synopsis of the play, an introduction to the characters, and a scene-by-scene breakdown of the major events of the play.
It also provides descriptions of exercises used at Shakespeare & Company to explore the text with a selection of scenes to play with in the classroom, along with useful websites and resources for further exploration of themes and connections to current events and everyday life.

Student Matinees

If full, in-school productions aren’t possible, students can still experience the magic of Touring Productions at a student matinee performance at the Tina Packer Playhouse at Shakespeare & Company in Lenox, Mass. 2023 dates are pending; to be added to the matinee schedule announcement list, e-mail,

Financial Assistance

Shakespeare in American Communities
The National Endowment for the Arts in partnership with Arts Midwest presents Shakespeare in American Communities. Shakespeare & Company is one of 40 professional theater companies selected to participate in bringing the finest productions of Shakespeare to middle and high school students in communities across the United States.

Through this program, Shakespeare & Company is able to offer financial assistance to qualifying schools to bring the Northeast Regional Tour of Shakespeare to their students. With the support of the Shakespeare in American Communities Grant, schools pay only $1,000 to bring the performance, talkback, and workshop to their students, or half-price for tickets to a matinee performance. For more information or to apply, contact

Massachusetts Cultural Council Grants

The Big Yellow School Bus program provides grants to help schools meet the transportation costs of educational field trips to cultural institutions and events. For more information and an application, visit the Massachusetts Cultural Council’s Big Yellow School Bus web page.

About the Tour

.01 Linklater Voice

The full progression of Kristin Linklater’s approach to voice training for actors is taught during the four weeks by Designated Linklater voice teachers. In addition to daily classes in Linklater, voice teachers regularly join in text classes and offer specialized classes to help participants integrate the voice work into their scenes.

.02 Movement

The movement progression includes Pure Movement (Swings), Alexander Technique, physical expressivity, and dance. Participants will be guided through exercises to promote awareness of (and release from) habitual body tension, sensitivity to impulse, dynamic physical presence and stamina, delight in moving with passion and precision, and ensemble.

.03 Text Work

Basics introduces the actor to a text approach which demands an open and personal commitment to thought, word, and gesture. Basics evolves into scene work, first through Dropping In (an approach to experiencing the text on a word-by-word basis) and into text analysis and detailed scene work. Classes in Sonnet and Structure of the Verse round out the text progression, allowing actors to merge their personal connection with the form of Shakespeare’s language.

.04 Actor/Audience Relationship

The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.

.05 Clown & Stage Fight

The participant is invited to explore the Elizabethan world of Actor/Audience Relationship—a theatrical reality without a fourth wall, in which the immediate energy of the audience fuels the actor to reveal a deeper level of truth and experience, which in turns enkindles the audience’s ability to receive Shakespeare’s language.


Full course tuition is

$4,875 USD

A limited number of scholarships are available for People of the Global Majority/BIPOC artists from the Dennis Krausnick Fellowship Fund. Application and audition video due by October 15. Contact us for more information.

You will learn:


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